“Mom: A Celebration of Mothers from StoryCorps” It’s mother’s day on Sunday. We pay tribute to mom’s everywhere with award-winning radio producer Dave Isay, editor of the new book, “Mom: A Celebration of Mothers from StoryCorps.” Isay is the founder of StoryCorps, one of the largest oral history projects in US history. You can follow the link to Democracy Now and watch the entire 21:45 video uninterrupted. I couldn't figure out how to embed that video here, apologies, so I have posted these 3 YouTube videos. Also, the text for the story was more than 20,000 words so I had to post it in more than one message. Includes a rush transcript so kindly forgive any minor errors JUAN GONZALEZ: Sunday is mother’s day. To end today’s show, we pay tribute to moms everywhere with a celebration of mothers from StoryCorps. In 2003, award-winning radio producer Dave Isay created a national social history called StoryCorps. Every day people enter a recording booth on streets all over America and tell their story. Over the past seven years, more than 30,000 interviews have been recorded, making StoryCorps one of the largest oral history projects in U.S. history.
AMY GOODMAN: Dave Isay collected some of these conversations between parents and children, husbands, wives, siblings and friends to form the basis of a new book “Mom: A Celebration of Mothers from StoryCorps.” Dave Isay came to DEMOCRACY NOW! studios, he began by talking about StoryCorps and why he chose mothers as the subject of his latest collection of stories.
DAVE ISAY: We’ve done about 30,000 interviews now with about 60,000 people. And you know we had- I came on a couple of years ago to talk about the first book which was called “Listening is an Act of Love” which was an overview of all of StoryCorps. And then we knew we were going to do a theme book, so what are we going to do? It was a no-brainer it was going to be Mom. In 30,000 interviews, moms have come up in 30,000 interviews. You know, it’s our first and our most profound bond. And we started culling into the material, and just seeing this poetry and beautiful stuff. There you go, so here’s Mom. But I do want to say this is several dozen stories of kids remembering their mothers or moms being interviewed, but for us, you know, each one of those 30,000 stories is equally valuable. We look at it as a sacred bond with participants in a very important experience in their lives. There are just some that have this kind of universal quality and this kind of poetry that make them appropriate to share with a larger audience and that’s what you get in this book.
AMY GOODMAN: Why don’t we go right away to the first interview, to the Wrights.
DAVE ISAY: Okay.
AMY GOODMAN: Tell us about this one.
DAVE ISAY: This is the first interview. It is an audio excerpt. As you know, all there are done in audio. It’s two people talking to each other in a booth.
AMY GOODMAN: Describe the scene.
DAVE ISAY: So, we have booths all over the country and you-
AMY GOODMAN: The first one being-
DAVE ISAY: The first one in Grand Central. Not there anymore.
AMY GOODMAN: Grand Central Station.
DAVE ISAY: Grand Central Station here in New York. They started charging us rent, so we moved. You know about that, right? So you bring- you make an appointment with anybody who you want to honor by listening to their story. It could be a friend, your mother, your bus driver–anyone who you want to honor–by having them talk about who they are and what they’ve learned in life. And you bring them into this booth, and the door shuts, and you’re in this kind of sacred space. The lights are low. And you sit across from the your grandma or your mom for forty minutes. There’s a facilitator, who works for StoryCoprs, sitting in the corner of this little booth and for forty minutes to look your mom in the eye and you talk and you listen. And people have very, very intense conversations in the booth. At the end of the interview, two CDs have been burned, one goes home with you, the other stays with us and goes to the Library of Congress, the American Folklife Center at the Library of Congress. So, someday your great, great, great, great grandkids can get to know your mom through her voice and stories. So it’s about leaving a legacy. And reminding,you know, at its core it’s so much of what your work is about. It reminds us that every life matters, every life matters equally; and this act of interviewing a loved one tells people that they matter and they won’t be forgotten.
AMY GOODMAN: So Nancy Wright, she’s fifty-three.
DAVE ISAY: Yes.
AMY GOODMAN: And her son, JD.
DAVE ISAY: Yes, and they wanted- she wanted to remember her mom hwose name was Francis Guy Erickson. And this is just a little excerpt of their conversation.
AMY GOODMAN: And JD’s nineteen.
DAVE ISAY: JD’s nineteen, yes.
JD WRIGHT: What was your relationship like with her?
NANCY WRIGHT: We had an interesting time, especially in adolescence. We were pretty compatible up to that point and then I think we grated on each other’s nerves quite a bit. And our relationship went really downhill from there. She was critical of me and very judgment-laden, and finally, when I was about thirty, we were together and it was just a miserable weekend. I felt our relationship was awful. And I told her right before I left that I couldn’t deal with that kind of criticism anymore and it wasn’t helping me, and she said that that’s what mothers do. I said I didn’t need a mother anymore, I needed a friend; That if she wanted to continue to try and be my mother that way, that i didn’t want that, but to call me if she wanted to be my friend. She was very angry and upset. I kind of almost didn’t expect to hear from her because she could be a little stubborn. It’s kind of a family trait. I think about two weeks, though, after that conversation, I picked up the phone one day and a kind of small voice said on the other side, “Hi, this is your friend.” And it was. And we stayed friends until she died. With only occasional lapses in critical judgment. But, I think I had my lapses, too.
AMY GOODMAN: That’s Nancy Wright talking to her son JD, who is nineteen, about her mom, Francis Guy Erickson.
DAVE ISAY: You know, I’ve been- one of the great things about having a book is you get to go into a little bit more debt in stories than you do in radio. And radio, as you know, is so powerful also, because there’s nothing more powerful than the voice. But Nancy talks about her mom leaving these huge tips everywhere she went. She said that it was her mom felt it was our duty in life to kind of raise the social- the economic status of waiters and waitresses across the country, and when her mom died, they left a Francis Erickson memorial tip after her funeral of, you know, three times the size of the meal. And I’ve been on a book tour for a couple weeks and have cut back on my expenses a little bit so I can also leave these huge Francis Erickson tips, which is- really actually feels really good.
AMY GOODMAN: What about the Conolly’s?
DAVE ISAY: This is a story that is from the second section of Mom. The first section is called ‘Wisdom’ and it’s a dozen stories of wisdom of moms. The second section is ‘Devotion.’ And Jerry Johnson brought his mom Kerry Conolly to the booth. Kerry Conolly was eighty at the time. Jerry was in his fifties. Kerry had been a single mother bringing-up six kids in Detroit. She worked as a tray girl, pushing food trays to patients, at a hospital in Detroit. And her son just wanted to thank her. So this is an excerpt of their interview.
AMY GOODMAN: And where was the StoryCorps booth where this was-?
DAVE ISAY: It was somewhere in Detroit, probably downtown Detroit.
JERRY JOHNSON: We always loved Christmas.
KERRY CONOLLY: Yes.
JERRY JOHNSON: And I cannot remember one Christmas that I didn’t feel like I was the luckiest kid in the world, even though now I realize, we hardly had anything in terms of money. How’d you hold that together?
KERRY CONOLLY: Well you know, we got one sick day a month. And I was sick, I would still go to work. I was saving those days for Christmas. At Christmastime, then they would pay me for those days. And you know around the first of December the rich people, they would clear out their children’s toy chests and they would take these nice toys to the Salvation Army. I would go there and I would get me a huge box and I would go around and pick out nice toys and I would get that for a couple of dollars. And then I would use the other for fruit and for food. And so it seemed like we had a big Christmas. But I never did tell you I was Santa Claus because I said I cannot give no man credit for- [Laughter].
JERRY JOHNSON: I know I speak for the rest of the kids who aren’t here in telling you how much we love you and how much we appreciate the sacrifice that you went through and the guidance and leadership that you were teaching us and I I think is helping us all be better parents.
KERRY CONOLLY: You know, my whole heart was my kids. And the Lord blessed all of them. And I’m so grateful.
AMY GOODMAN: Kerry Conolly and her son, Jerry Johnson. That’s from the section of your book, ‘Wisdom’ than ‘Devotion.’
DAVE ISAY: I just want to say that Kerry, in the book, talks about how the happiest moment of her life was watching Jerry cross the stage at Washington University in St. Louis and get his M.D.. And he now works as a physician in Detroit and all of her kids are doing great, doing great stuff.
AMY GOODMAN: How did you choose to divide it into ‘Wisdom,’ ‘Devotion,’ and then ‘Enduring Love?’
DAVE ISAY: Again, these are 30,000 interviews culled-down to thirty-five interviews.
AMY GOODMAN: How did you do it?
DAVE ISAY: The facilitators who have this amazing job, their job is really to collect the wisdom of humanity, sit there and bear witness to these stories. Not only are they in the booth bearing witness and helping people, they’re also keeping a log of everything that’s said and they also make notations about what stories might be appropriate for radio, what stories might be appropriate for a book. So we probably pulled a couple thousand stores that had been marked appropriate for a book and transcribed them. There’s an editorial staff who kind of reads through them and puts them into different categories. And we decide which ones are going to be included in a book like this. When we read through our, you know, forty favorite stories, they just kind of naturally fell into these three piles and the chapters emerged.
AMY GOODMAN: Talk about ‘Enduring Love,’ Dave Isay.
DAVE ISAY: Sure, so these are another dozen stories of moms.....